permutatio:

"You’re a king one day and beggar the next."
Melancholia (2011) dir. Lars Von Trier

permutatio:

"You’re a king one day and beggar the next."

Melancholia (2011) dir. Lars Von Trier

permutatio:

"Sometimes, the only way to catch an uncatchable woman is to offer her a wedding ring."
Big Fish (2003) dir. Tim Burton 

permutatio:

"Sometimes, the only way to catch an uncatchable woman is to offer her a wedding ring."

Big Fish (2003) dir. Tim Burton 

permutatio:

"Quite an experience to live in fear, isn’t it? That’s what it is to be a slave."
Blade Runner (1982) dir. Ridley Scott 

permutatio:

"Quite an experience to live in fear, isn’t it? That’s what it is to be a slave."

Blade Runner (1982) dir. Ridley Scott 

permutatio:

"She paints her face to hide her face. Her eyes are deep water. It is not for Geisha to want. It is not for geisha to feel."
Memoirs of a Geisha (2005) dir. Rob Marshall 

permutatio:

"She paints her face to hide her face. Her eyes are deep water. It is not for Geisha to want. It is not for geisha to feel."

Memoirs of a Geisha (2005) dir. Rob Marshall 

thefinalimage:

The Reflection of Life: The Films of François Truffaut

Arguably the most humanistic directors to come out of the French New Wave, François Truffaut is the kind of director whose films ran deep with a love of cinema. It’s impossible to talk about the French New Wave without mentioning him, and unfortunately, he is mostly remembered today for the films he made that adhered to all the qualities of that era (400 BlowsShoot the Piano PlayerJules and Jim). Looking beyond that, though, his filmography runs deep with fascinating characters, terrific performances, and one of the most strong loves of humanity that I think the cinema has ever seen. If you’ve never seen anything beyond his New Wave works, treat yourself to some, and if you’ve never seen ANY film of his, now’s a great time to start.

Les Quatre Cents Coups (The 400 Blows)  |  1959

Tirez sur le pianiste (Shoot the Piano Player)  |  1960

Jules et Jim (Jules and Jim)  |  1962

Le Peau douce (The Soft Skin)  |  1964

Baiser volés (Stolen Kisses)  |  1968

Domicile conjugal (Bed and Board)  |  1970

La Nuit américane (Day for Night)  |  1973

L’Argent de poche (Pocket Money a.k.a. Small Change)  |  1976

L’Homme qui aimait les femmes (The Man Who Loved Women)  | 1977

Le Dernier métro (The Last Metro)  |  1980

(Note: This is just a small gathering of the final images of Truffaut’s films, there’s still plenty out there worth checking out!)

- Intern Kevin (thegreatestblogevertold.tumblr.com)

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howtocatchamonster:

On the question of whether Haneke would make a film about Hitler: There is a question of responsibility … first and foremost to your viewers, your audience. Responsibility entails enabling your audience to remain independent and free of manipulation. The question is how seriously do I take my viewer, to what extent do I provide him with the opportunity of creating his own opinion…